Art and All in Our Mothers Gardens Essay -- Search Our Mothers Garde

Art and All in Our Mothers Gardens Alice Walker uses Virginia Woolfs phrase contrary instincts to report the creative spirit that her female ancestors revive spirit that her female ancestors revered while working and living in oppressive conditions. Her breed had a toilsome life, but she managed to keep her creative spirit alive. She held onto what she could in the simplest ways. Where there was a will there was a way. Walker explains that her mother, though tired and overworked, did express and run away her creative spirit. She planted incredible gardens, and still does, with various blooming plants. She adorned the house with flowers from the garden. Walker likens her mothers garden to magic. Friends and strangers visited the garden regularly and would ask to stand or walk amongst her mothers art. Her mothers garden represents an undying love of beauty and creation, symbolizing the weaving of her creative spirit with natures hand. Envision the roots in the garden woven tog ether, creating a network of support for the other plants.e other plants. When Alice Walker went in search of her mothers garden it became a journey about uncovering her own true self. Her mother was her strength and her role model. Walker discovered that she found herself while searching for her heritage, and in the process she excavated her authentic self. Imagine bla... ...e of art, you must frank yours of art, you must open yourself up to the possibility that you might not like what the artist is trying to convey. Its about taking a risk. This is not going to be easy to do. In fact, it will be very hard, but it is a risk we must take. Once you have decided to dismiss something based on first impressions, you atomic number 18 doing yourself a grave disservice. When you decide to take that leap and challenge yourself, you will then understand your truth, without hesitation. Works Cited Walker, Alice. In Search of Our Mothers Gardens. Major Modern Essayists. second bas e Edition. Ed. Gilbert H. Muller with Alan F. Crooks. Englewood Cliffs Prentice Hall, 1994. 329-337.